Dollface – Marita Green exhibition: 18 Jan – 13 Feb 2013, Kina NZ Design and Artspace, 101 Devon St West, New Plymouth.
Mixed-media assemblages by Marita Green (1971), Ceramic, retro cake tins, found objects 2013
A selection of the works that were on show at Kina, New Plymouth.
Dollface exhibition, at Kina gallery, New Plymouth, 18 Jan – 13 Feb 2013
Mixed-media assemblages by Marita Green (1971), Ceramic, retro cake tins 2012
Marita Green’s work asks us to ponder the idea of mother as receptacle and protection but also looks at the reality of birth as an actual physical end as the infant grapples with introduction to the world outside the womb.
She uses memory and infancy as major signifiers in her work. The biscuit tin and her ceramic baby dolls are the signifiers that work together and in this odd relationship, the tin takes on a very catholic tabernacle kind of role, like a womb: it is considered a sacred and honoured space which can produce life. With life come exposure and vulnerability when no longer contained within the body of the mother.
(text courtesy Waikato Museum)
The Art of Assemblage is a unique group show that highlights the significant artform of assemblage and how artists bring together real world mash-ups of reclaimed materials and found objects into 3D artworks. The aim of this show is to promote public awareness of the quailty and dexterity of recycled/assemblage art while raising the question of the current obsessive consuming habits of our society.
Several award-winning artists join this show including Lauren Lysaght, Donna Sarten, Aaron McConchie, Andrew Hall, Martin Horspool, Luke Mills, Dale Copeland, Marita Green, Duncan Lesk and Bernie Hafleet. We are delighted to include select works from the iconic Peter Sauerbier and the late Chis Meder.
Thanks to the Erupt Lake Taupo Festival who have brought this exhibition to Taupo www.eruptfestival.co.nz
Join us for the official opening: Friday 11 May at 5pm
ERUPT Festival, Taupo Museum 10 May – 12 June
57cm x 81cm x 8.5cm. Wall mounted.
Curated by Amanda Wright.